Armond Dangerous

Armond White's review of Pride is the first one by him that we've even partially agreed with in quite a while, but at the risk of c...

From the very beginning of his confused review Armond White reveals he has no idea how to process the bizarre, provocative experience of Ts...

It's probably fair to say that once you've landed on Armond White's shitlist, it's going to take a solid effort on your part...

"Christianity Trumps History": this should be the headline for Armond White's naive review of "Amazing Grace." Comi...

Armond White's recent, seemingly much talked about review of Norbit is dumbfounding in a number of respects. First, White, through crit...

Ladies and gentlemen, due to overwhelming popular demand and dependable antagonism: Norbit ! First, some "compare and contrast." A...

We know, we know. We'll talk about it later. We finally got to see The Good Shepherd , a very good film -- a little too proper for our o...

Alright. We've now settled in at Armond Dangerous , having answered our backlog of comments (the ones that needed answering, that is), s...

Things here at Armond Dangerous are moving fast and furious. Not only are we receiving more comments than ever before and having a difficul...

Because his review(s) of The Black Dahlia (coming soon) interest us more, and because his ability to click off the critical radar so as to ...

We meant to write this post earlier, but the holiday season and family obligations stood in our way. Yet how appropriate that we should exam...

One reads Armond White's latest review , of Will Smith's "triumph of the human spirit" plea for an Oscar, The Pursuit of H...

On the eve of the new issue of the New York Press Armond Dangerous will take it upon itself (ourselves?) to not fall too far behind our ma...